Filming interviews for NCC

In April, I spent a day filming at a special school in Nottinghamshire. This was followed by several weeks editing; the product of which was a series of 5 videos that capture the views of professionals, parents and students who have all been involved with trialling out the Wiki - technology that has been developed by the RIX centre at the University of East London, which enables multimedia advocacy amongst those with special educational needs and disabilities (SEND). The day went well, and we managed to find some good quiet spaces within the school to shoot the film.

The video below captures views from teachers who work with young people with SEND, providing their informed reviews of the Wiki, and the effect that it has had at the school. Other videos in the series reflect the views from students and parents. Additionally, there's a compilation video which features segments of everyone. These other videos can be viewed on Nottinghamshire's wiki pilot page here.

Animations for Nottinghamshire County Council

Just a quick update..

I've recently completed my second animation for Nottinghamshire County Council. This time, for the Children's Disability Service, explaining their Short Breaks and Personalisation service. This can be found on my website here. I'm pleased to say that it has gone really well and that I'm now working on the next animation for the Children's Disability Service.

Alongside this, I will be completing a couple of animations for Dr Clare Bale explaining a Pathway for children and young people with concerning behaviours. Furthermore, I was recently asked to film Nottinghamshire County Councils SEND Conference in February, so the next step for this will be editing and exporting as videos of keynote speakers and vox pop interviews. It's great to be busy!

Filming at the SEND Conference in Nottingham

I was recently invited up to the SEND Conference in Nottingham, by Nottinghamshire County Council to film some "vox pops" (voice of the populi - i.e. people expressing their thoughts and opinions) and keynote speakers.

The content of the conference was around the same topic my previous animation was based on, and it was really nice to see my animation being played at the conference to help delineate the new EHC plan.

The event presented me with some great experience in the area of filming. I found the vox pops looked the best, and I think a DSLR is well set out for this purpose. Since the conference I have put together 8 seperate videos (3 vox pops, 3 keynote speakers, key messages and a summary video.) The summary video was fun to make as it was an amalgamation of various cutaway shots taken thoughout the day with selected bits of the speakers and vox pops. So a nice mix!

Fin. "The Incomplete Activist" with CreativeConnection

My role

As it was a small creative team, my job was not restricted into one small area, but traversed many roles. I was bought in from the start, to collaboratively engage with what the client was after, brainstorm ideas and help put them into action by producing the first bits of stop motion animation with the team. From then on my job was to work remotely with all the stop motion footage they recorded.

The work involved animating, compositing, adding effects, creating smooth transitions, working to a voice over and editing. Whilst being given plenty of stop motion material, backgrounds and precise instructions to work with, I also had a fair amount of creative input in terms of applying some of my visions from an animation point of view to their ideas and visual output. In this respect the work was very symbiotic. Generally speaking I was very happy with my position in the project as I found it to be dynamic, diverse and interesting.

Teamwork

Throughout the production of the animation, I received constructive feedback after each EIP (Edit-In-Progress,) which allowed me to continuously improve on the work by making changes and bring about further cohesion. At these points they would also supply me with more stop motion material to fill in the gaps of the script. Throughout the course of the project and through applying their feedback, I have improved on my editing technique - more specifically, the art of joining together a voice over with text, sounds and visuals whilst maintaining a good pace and flow.

It has been a good learning process in terms of working with others. I have learned to respond to criticism constructively, to be flexible about changing things that are not working and to accept that not all my ideas will be implemented. On the other hand, it has been highly rewarding to receive very positive feedback and I have gained a huge sense of personal satisfaction on fulfilling what has been required of me. The CC team and the client have responded positively to my output so all in all it has gone very well.

There has been a high amount of creative input in this project from all involved and it has been great to work with such enthusiastic and skilled artists, as well as a talented writer (script) and actor (voice over.)

What is it about?

The film is designed to educate people and dispel the myths of what activism involves, how it comes about and what activists are like. It is full of interesting visual metaphors which takes us into the heart of the activist.

The client who commissioned it, is currently doing his PhD and writing a thesis on the subject. We listened, as he explained his thesis to us, following this, our mission was to condense the content of this thesis into some key bite-sized chunks of information that can be manifested and absorbed in animation form.

Purpose and audience

Hopefully, the film will resonate with audiences across the spectrum, enlighten them with knowledge which is otherwise not obvious or explicit and inspire discussion and debate. It will be shown to hundreds of communities across the U.K. and uploaded onto an intellectual virtual space as well as Youtube.

Visuals

As you can see there is a nice D.I.Y. feel about it - most of the elements were made by hand, and once they were sent to me I comped them together, adding animation and effects where necessary. A big part of the animation was creating smooth transitions which, with the help of a computer - one can be ridiculously perfectionist about! This is a big part of animations charm though so I feel it is worth the time.

I am proud to have been a part of this great project and I anticipate it's release into the world (this September/October.) This has been a different type of animation project to the kind CreativeConnection normally work on - so hopefully more like this will come, as I would love to work with them again!

Credits

Voice Over --- Philiph Bosworth
Script writer --- Dann Casswell

Director --- Ariadne Radi Cor
Producer & Co-Director --- Jessica Harvey

Illustrator --- Lara Popovic
Animator & Editor --- Charlie Minnion

Made by CreativeConnection : www.creativeconnection.co.uk

Kickstarter CBT promo video update & making of

I have almost finished this project now! It has been a bit of an epic and has drawn on my skills as a motion graphics designer, compositor, camera man, editor, 3D artist, time lapse recorder and musician! If anyone has any ideas of one word that I could use to fit these different roles, I would appreciate it! Audio-visual artist could be a good umbrella term.

Just a quick reminder - this work is for a promotional video made to represent Clear Blue Therapies on Kickstarter. Clear Blue Therapies is a therapy business founded by Saskia Griffiths-Moore. The video utilises motion graphics and draws on a news broadcaster theme to promote interest and help delineate Saskia's four phase plan.

Here are a few screenshots showing different parts of scene 2 on which I have created some nice bits of animation / motion graphics. The actual film itself will be out on Kickstarter soon - I will keep you posted. I just have a few final bits and pieces to sort out following some final feedback from Saskia.

I enjoyed getting the pencil out and drawing this piece to represent a conference.



Following this, I worked over it in Illustrator, then animated it in After Effects. Playing with the opacity of the fills adds a nice element of visual interest to the image. Also, conceptually, I reckon it enhances "the meeting of minds" element.



I also found it quite rewarding and satisfying working in 3D for parts of this project. The spinning logo and the books turning. Simple but effective!

And - this is a bit of an odd one - I'm quite proud of the train style LED text I put together. The font itself is called LCD Dot, and was created by Omer Kose --- http://www.omerkose.net/ I downloaded this off Dafont.

The bit that I'm proud of is the nice repetitive dot pattern I created in Illustrator for the LED light background! This lines up with the dots of the font. Then of course the colour and glow effect. It mimics the train style LEDs quite well. As things have turned out, I have been asked to change this style as it could be confusing, and takes away from the cohesion of the other fonts in the video. Think I may have taken Saskia a little too literally when she said 'text like you see on train displays'. Nevermind though!

Watch this space! The promo video will be out shortly....

Title sequence - workflow and screenshots.

This took around 3 days. I shot the timelapses and footage; created the sound (utilising a 120 bpm house loop by "afleetingspeck" off Freesound) then worked between Premiere and After Effects (using the Adobe Dynamic Link) to edit it together and add effects. The timing and visual/audio synchronicity seems to be key in maintaining a steady pace and flow to the sequence. As you can see below, the shots change precisely on cue with the drum beats.

The additive dissolve makes for quite a nice transition between shots. To further visually convey the pulse of the soundtrack I added a blue moving line effect in sync with the drum beats. It's simple but effective! I will upload the movie here when the video is up on Kickstarter.

Promo film for Kickstarter

Hi everyone, so it has been quite a while since I last blogged. Sorry folks! From now on I intend to do regular blog posts to keep people in the know of what I'm up to. Since compositing a couple of shots on the independent feature film "The Otherworld" I have realised that I would be much better suited to work on short form productions which offer a higher degree of creative input and a greater variety of work. One of the things I have been working on recently is a promo film for my friend and aspiring alternative therapy business entrepreneur - Saskia.

Promotional film for a Kickstarter project

Saskia has a plan to set up an alternative therapy business and needs the video to act as an essential part of her kickstarter page. I had designed some business cards for her previously, which have proved successful. I believe she is aiming to raise around $10,000 so the video promo is definitely a worthy challenge! The basic idea for her promo is to create a news themed "special report" featuring Saskia as both reporter and massage therapist. Some clear and simple motion graphics, that sit with the live action recording will help delineate her ideas. So far we have done the shooting and now I'm working on the post production. I used my Sony NEX5 to record the footage in HD, and coupled this with sound recorded into a clip on mic.

Business card

Video Promo - still

The shooting took place in my flat, with Saskia filmed against a cream coloured wall. It took me a couple of days to create a clearly defined matte of Saskia which has enabled me to cut her out and place her into a news broadcasting themed environment. I have learned from Ron Brinkmann's book "The art and science of digital compositing" that the most efficient way to rotoscope is to use several mattes - not just one. So here, I have pulled mattes for her body and hair seperately, then combined the two. I have also used a light wrapping technique which creates a subtle effect of the background colours lighting up her outline. The images below show the work in progress:

For my own future reference, and for those of you who are curious - here are the effects I applied to pull a matte of her hair at a part of the video where it swings to the side. These effects are applied to a pre-comped garbage matte so the dynamic range is concentrated to the section of hair being cut out. The still shows the garbage mask and the subsequent matte along with the effects. I pushed everything into the green channel as this provides the best contrast between hair and no hair.

Next, I will be working on integrating some motion graphics with the next scene which shows Saskia as a massage therapist explaining her idea. Here is a still of that shot:

Progress!

I have been very busy since my last blog (hence the lack of blog posts.) I am currently working solely for Kernel which is the main 3D animated film being produced in our year. Since completing a lot of concept design work I have also created the new storyboard for Kernel. From this, I have been able to develop an animatic that has progressed through 6 stages (from an epic 6 mins 38 secs down to a more realistic 4 mins 11 secs.) In the process of refining the animatic, I have kept the essential story information, cut out whats not needed and maintained a good sense of pace and rhythm.

From the animatic, Olly and Hugh have been creating block-throughs in Maya. These Maya shots - that dictate basic animation and camera moves - are being carefully timed to fit with the animatic. (I have also helped by going into Maya and adjusting the camera sequencer lengths to block-through shots that were completed prior to the final animatic.)  The idea is that people who're doing the animating can work within the appropriately timed shots that maintain the correct pacing to the film as a whole. Its an intuitive process and of course, the animation will probably not stick to the frame counter exactly - so long as it roughly fits with all the original timings then we're on the right track!

My roles on the project have extended to editing and compositing for which I have been getting to grips with Adobe Premiere (CS5.5) and The Foundry's Nuke (6.3 v2) software. For both of these I have been working my way through some helpful books - 'Adobe Premiere - classroom in a book' and 'Nuke 101' by Ron Ganbar. Both of which, give you files and exercises to work through. As the editor, I will be constantly updating a premiere project file, as the shots gradually progress from the block through stage to animation and eventually the final composited shots.

The image below shows what I have learned most recently in Nuke. Using a rendered 3D sequence of exr images, I have rebuilt a basic beauty pass which mirrors the way a beauty pass would be created in Maya. The advantage here though, is that the beauty pass has been divided to its essential elements - which I can tweek independently. Working this way should prove highly efficient as it allows one to have good aesthetic control over the shots and save on the lengthy processing and rendering times Maya would incur. The bonus is that the files that Ganbar has provided with his book is of a lemming 'road-skiing' using a car. Amazing!

The Kernel team have been working really well together and it feels like we're building up a creative symbiosis of all our talents. If we maintain this kind of momentum then we should have something good to show by the deadline which is now less then 100 days away!

Aside from Kernel, I have been working on the dissertation and am currently 2 weeks away from completing a Web Communication Dreamweaver AQA course. Busy busy busy!