Check it out to see the amount of artistic preperation required to produce an animated short film. It is very inspiring and visually tastey!
http://lostandfoundartblog.squarespace.com/
http://lostandfoundartblog.squarespace.com/
Wednesday, 9 December 2009
Lost and Found blog link
Just came across this great blog containing a lot of the Art production behind the BAFTA Award winning Childrens Film - Lost and Found...
Friday, 4 December 2009
How to make an Amblongus pie - My Illustrated book
Here is an Illustrated book I created in early 2009
Its based on a poem by Edward Lear called "How to make an Amblongus pie"
I rendered it out with gouache (using a couple of paint brushes and a sponge), pencils, pens, pastels, tape (to mask out the areas of white), marker pens and highlighters. It would take half the time to sketch it out then half the time to do the final Artwork. Some pages took around 30 hours to complete all together! It was a mission but I'm pleased with the outcome and would say that it was worth the effort. This shows my interests when it comes down to Animation may well be around pre-production - designing characters, concept art and storyboarding.
And put them in a small Pipkin. Boil them for 8 hours Incessantly
Add 2 pints of new milk and boil for 4 hours
When you have ascertained that the Amblongusses are quite soft
Take them out and (flap opens: put them in a wide pan)
Grate some nutmeg over the surface, cover carefully with powdered gingerbread
(this half joins together with the last page - in book form you can open it out in a super wide format) curry-powder and a sufficient quantity of cayenne pepper
Shake the pan violently til...(flap opens: all the Amblongusses become a pale purple colour)
Then, having prepared a paste, insert the whole carefully
Adding a small pidgeon, 2 slices of beef, 4 cauliflowers and any number of oysters
Watch carefully till the crust begins to rise
Throw the whole out of the window as fast as possible (Flap opens showing a small Amblongus)
Flaps that open on pages 5, 8 and 12
Thursday, 3 December 2009
Charlie Walk Cycles
Here is my 2D walk cycle:
I think its fairly smooth and looks a bit like my walk.
It took all day with a 4 hour break (so probably around 3/4 hours altogether).
Here is my 3D Walk cycle:
I used the pose to pose technique as opposed to straight ahead.
I then layered up actions simultaneously across the different poses adding in
the occasional key pose to make it less robotic.
I think its fairly smooth and looks a bit like my walk.
It took all day with a 4 hour break (so probably around 3/4 hours altogether).
Here is my 3D Walk cycle:
I used the pose to pose technique as opposed to straight ahead.
I then layered up actions simultaneously across the different poses adding in
the occasional key pose to make it less robotic.
Wednesday, 2 December 2009
Experimental Animation
Me and Al decided to have a go at some painting on plastic animations:
I found it to be an enjoyably process as it is hands on.. This kinda thing is great for metamorphosis.
Here is Als:
Here is mine:
I found it to be an enjoyably process as it is hands on.. This kinda thing is great for metamorphosis.
Here is Als:
Here is mine:
Bradford Animation Festival...
I found this trip to be very inspiring and enjoyable...
Highlights for me were:
Jonas Odell's retrospective:
I really enjoyed the diversity of his Animation/Motion graphics techniques and styles.. I thought the film 'Lies' was very successful both in content and look. 'Never like the first time' was good as well. This told four different stories about peoples 'first time'. I think these worked well because they were all based on real peoples stories.
He's also done several music videos and I think it would be fun to work in this area of Animation. His primary software tools he uses is After Effects.
I talked to him at the party and found out that he used to use a sketchbook but not so much anymore and that he hasn't got a degree but just knew the right people which put him onto the right track. He also said he doesn't know anyone who can fund their own work without going into commercials.
Pritt Parn:
Very nice work.. incredibly imaginative and totally his own. It was a lot to absorb. As soon as my attention began to fade something crazy would happen and re-engage me. Loose narratives and a humorous aspect to his work... I found it both funny and upsetting when one of the characters is convinced that 'Life is Nice' - as soon as he shouts this out to someone trying to commit suicide the beak of a bird impales him...Harsh!
I also found some of his character designs very fun like the walking carrot.. completly random but entertaining nonetheless.
The talk
I did a couple of workshops :
Character design workshop:
with Curtis Jobling who drew Bob the Builder.. He mainly told us his life story and how he got to where he is. After completing a HND in Illustration he managed to get unpaid work experience at Aardman this soon led to getting paid work on commercials with them. He was extremely pro-active, always drawing, visiting publishers and broadcasters consistently, keeping ongoing correspondence and making the connections. He was inspired by 'the Sandman' and illustrated a couple of his own childrens books - 'Frankensteins cat' before working on Bob the Builder. After his lecture he asked us to draw a few caricatures of eachother.
I took down the following notes :
Networking - being pro-active
Being at the right place at the right time
If designing a show/book avoid being Brit Centric i.e. using British roadsigns etc... because your work may need to be marketed internationally
Greetings Cards - Good way of networking
Develop different ideas simultaneously
When designing a set of Characters keep something consistent in all of them
Keep characters timeless don't set them in a particular time period as they may get old fashioned... (i.e. Poochie in The Simpsons)
Its your portfolio/showreel that matters
Have 100% belief if your idea
Keep doing life drawing (good for knowledge of anatomy)
Caricatures (good way to approach Character)
Sketchbooks are vital for:
Good practice & Discipline
Stockpiling ideas
Working through different Characters
Get constructive and helpful criticism from a trustworthy friend
Good to bounce ideas off other people and work collaboratively
Curtis saw some of my own work and was impressed with my illustrated book 'How to make an Amblonguss Pie' He said that it was excellent, well designed and that it's unique - he's never seen anything like it before.. I will post my Amblonguss Pie book up soon...
Scriptwriting workshop:
No one actually showed up for the Friday session so I ended up just having a 1:1 chat with him. He gave me a lot of advice on writing and pitching and told me what its like working as a writer. I asked him about 'Pinky and Perky' and he told me that it wasn't so successful due to physical gaps in production - ie. he writes the script in one country, it gets produced in another etc...
Shows must be a lot more cohesive when everyone working on them is in the same building (I'm not sure if this happens so much anymore with the internet.) He also told me that the reasons why The Simpsons is so successful is that they spend 9 months writing each episode. Writing then re-writing then writing again with everyone involved... Crazy!
He instructed that to be successful at pitching you must have energy, enthusiasm and good presentation. If you're presenting a TV series just show a 1/2 minute Pilot.. A lot of films start off with an early complication that the rest of the film has to go on (i.e. UP - Starts off with the tragedy of the Old Character losing his wife.) He also said how making films is a lot like making music.. He said how important characters roles are in films and you can pitch your idea through the characters perspectives - (ie. imagine you are this person.....)
My favourite films:
Professional: The Cat Piano, Liver Good Life
Student: Operatatatata, Bruce, Project: Alpha, Leitmotif
Commercials: Journey to the East, OXFAM: Face the music
Music Videos: Les grands chevaux
Tv series: Masha and the Bear "How they met"
Shorts shorts: Iran: a Nation of Bloggers, At Death's Door, The life of Death
Features: Fantastic Mr Fox, Coraline, UP (didn't see Mary and Max - noooooo!)
Panoramas: Txt island, Sapmi, Wolves, Photograph of Jesus, Little Puppet Boy
Lies, The Cable Car
Focusing on the favourites of my favourites:
Journey to the East:
Love the artwork behind this, the music and the animation. Amazin'!
At Death's door:
Good characterisation ... very short and very funny.
Fantastic Mr Fox:
Didn't see it at Bradford but in Falmouth... Thought it was really good and lived up to the legendary work of Roald Dahl. Good characters. The whole film worked together nicely and was consistantly entertaining. The Animation and sets were imaginatively created and executed. Liked the implicit meaning that 'Meditation is good.'
The Cable Car:
Looked visually appealing and was pretty funny. Admired his ability to cope in a high stress situation..
Highlights for me were:
Jonas Odell's retrospective:
I really enjoyed the diversity of his Animation/Motion graphics techniques and styles.. I thought the film 'Lies' was very successful both in content and look. 'Never like the first time' was good as well. This told four different stories about peoples 'first time'. I think these worked well because they were all based on real peoples stories.
He's also done several music videos and I think it would be fun to work in this area of Animation. His primary software tools he uses is After Effects.
I talked to him at the party and found out that he used to use a sketchbook but not so much anymore and that he hasn't got a degree but just knew the right people which put him onto the right track. He also said he doesn't know anyone who can fund their own work without going into commercials.
Pritt Parn:
Very nice work.. incredibly imaginative and totally his own. It was a lot to absorb. As soon as my attention began to fade something crazy would happen and re-engage me. Loose narratives and a humorous aspect to his work... I found it both funny and upsetting when one of the characters is convinced that 'Life is Nice' - as soon as he shouts this out to someone trying to commit suicide the beak of a bird impales him...Harsh!
I also found some of his character designs very fun like the walking carrot.. completly random but entertaining nonetheless.
The talk
I did a couple of workshops :
Character design workshop:
with Curtis Jobling who drew Bob the Builder.. He mainly told us his life story and how he got to where he is. After completing a HND in Illustration he managed to get unpaid work experience at Aardman this soon led to getting paid work on commercials with them. He was extremely pro-active, always drawing, visiting publishers and broadcasters consistently, keeping ongoing correspondence and making the connections. He was inspired by 'the Sandman' and illustrated a couple of his own childrens books - 'Frankensteins cat' before working on Bob the Builder. After his lecture he asked us to draw a few caricatures of eachother.
I took down the following notes :
Networking - being pro-active
Being at the right place at the right time
If designing a show/book avoid being Brit Centric i.e. using British roadsigns etc... because your work may need to be marketed internationally
Greetings Cards - Good way of networking
Develop different ideas simultaneously
When designing a set of Characters keep something consistent in all of them
Keep characters timeless don't set them in a particular time period as they may get old fashioned... (i.e. Poochie in The Simpsons)
Its your portfolio/showreel that matters
Have 100% belief if your idea
Keep doing life drawing (good for knowledge of anatomy)
Caricatures (good way to approach Character)
Sketchbooks are vital for:
Good practice & Discipline
Stockpiling ideas
Working through different Characters
Get constructive and helpful criticism from a trustworthy friend
Good to bounce ideas off other people and work collaboratively
Curtis saw some of my own work and was impressed with my illustrated book 'How to make an Amblonguss Pie' He said that it was excellent, well designed and that it's unique - he's never seen anything like it before.. I will post my Amblonguss Pie book up soon...
Scriptwriting workshop:
No one actually showed up for the Friday session so I ended up just having a 1:1 chat with him. He gave me a lot of advice on writing and pitching and told me what its like working as a writer. I asked him about 'Pinky and Perky' and he told me that it wasn't so successful due to physical gaps in production - ie. he writes the script in one country, it gets produced in another etc...
Shows must be a lot more cohesive when everyone working on them is in the same building (I'm not sure if this happens so much anymore with the internet.) He also told me that the reasons why The Simpsons is so successful is that they spend 9 months writing each episode. Writing then re-writing then writing again with everyone involved... Crazy!
He instructed that to be successful at pitching you must have energy, enthusiasm and good presentation. If you're presenting a TV series just show a 1/2 minute Pilot.. A lot of films start off with an early complication that the rest of the film has to go on (i.e. UP - Starts off with the tragedy of the Old Character losing his wife.) He also said how making films is a lot like making music.. He said how important characters roles are in films and you can pitch your idea through the characters perspectives - (ie. imagine you are this person.....)
My favourite films:
Professional: The Cat Piano, Liver Good Life
Student: Operatatatata, Bruce, Project: Alpha, Leitmotif
Commercials: Journey to the East, OXFAM: Face the music
Music Videos: Les grands chevaux
Tv series: Masha and the Bear "How they met"
Shorts shorts: Iran: a Nation of Bloggers, At Death's Door, The life of Death
Features: Fantastic Mr Fox, Coraline, UP (didn't see Mary and Max - noooooo!)
Panoramas: Txt island, Sapmi, Wolves, Photograph of Jesus, Little Puppet Boy
Lies, The Cable Car
Focusing on the favourites of my favourites:
Journey to the East:
Love the artwork behind this, the music and the animation. Amazin'!
At Death's door:
Good characterisation ... very short and very funny.
Fantastic Mr Fox:
Didn't see it at Bradford but in Falmouth... Thought it was really good and lived up to the legendary work of Roald Dahl. Good characters. The whole film worked together nicely and was consistantly entertaining. The Animation and sets were imaginatively created and executed. Liked the implicit meaning that 'Meditation is good.'
The Cable Car:
Looked visually appealing and was pretty funny. Admired his ability to cope in a high stress situation..
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